Július Koller

Galerie Martin Janda is showing Július Koller's fifth solo show from 13th May to 4th July 2026.

In the political climate of 1968 and 1969, the question mark (Otáznik) became a central motif for Július Koller, which he developed in various forms into an essential component of his work. The invasion of Czechoslovakia by Warsaw Pact troops and the abrupt end to the Prague Spring's process of liberation had a decisive influence on this approach. For Koller, the question mark became an expression of a constant questioning of situations, objects and life itself.

At the same time, Július Koller developed the symbol further: it transformed into duplicates reminiscent of a Möbius strip, revealing an infinite, playful form of doubt and questioning.

Koller applied this strategy across a wide variety of materials and contexts. For instance, he translated the ornamental forms of the painted decoration on traditional wooden houses in the High Tatras into an ornamental sequence of question marks, executed using the same artisanal technique. The symbol served not only as a reference to a society, politics or the personal environment that were to be questioned but was conceived more universally: it stood equally for playful openness as well as for doubt, mistrust and general uncertainty.